What are you thoughts on musical (or artistic) authenticity? Does one need to have a certain life experience to play a certain type of music well? Do these experience shape the way one expresses themselves artistically? What does the author mean by “verb to noun”? What are your general thoughts about the chapter, and the author’s take on life and culture and jazz music in 1963? How does American music, such as blues, gospel, jazz, and post-1963 genres such as rock, funk, and hip-hop reflect the lived experiences of prominent artists?
Read the chapter “Swing – From Verb to Noun” from Blues People: The Negro Experience In White America And The Music That Developed From It by LeRoi Jones (Amiri Baraka
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