{"id":9165,"date":"2023-03-11T03:57:14","date_gmt":"2023-03-11T03:57:14","guid":{"rendered":"https:\/\/www.goodacademic.com\/blog\/questions\/argumentative-essay-on-langston-hughes-poem-roots-of-expression-jazz-and-blues\/"},"modified":"2023-03-11T03:57:14","modified_gmt":"2023-03-11T03:57:14","slug":"argumentative-essay-on-langston-hughes-poem-roots-of-expression-jazz-and-blues","status":"publish","type":"questions","link":"https:\/\/www.goodacademic.com\/blog\/questions\/argumentative-essay-on-langston-hughes-poem-roots-of-expression-jazz-and-blues\/","title":{"rendered":"Argumentative essay on Langston Hughes poem roots of expression (jazz and blues)"},"content":{"rendered":"<p>&#8220;<\/p>\n<div><\/div>\n<div>1. Keep the \\&#8221;tone\\&#8221; of your language less personal.  \\r<\/div>\n<div>&#8211; Avoid \\&#8221;I will\\&#8221; statements: eg\/ \\&#8221;In this essay I will explore how Shakespeare engages with the theme of love in \\&#8221;Sonnet 118.\\&#8221; Here, you can simply state: \\&#8221;Shakespeare engages with the theme of love in his \\&#8221;Sonnet 118.\\&#8221; Note that this is not a thesis statement either. This is simply presenting the topic which you will write on.  \\r<\/div>\n<div>&#8211; Avoid other statements like \\&#8221;This essay will show.\\&#8221; We already know that this is an essay.  \\r<\/div>\n<div>&#8211; Avoid saying \\&#8221;we\\&#8221; wherever possible: eg\/ \\&#8221;As we can see in line two . . .\\&#8221;; \\&#8221;We need to understand that . . .\\&#8221; When you say \\&#8221;we\\&#8221; you are immediately including the reader in your assumptions about the poem. Don&#8217;t do it. Tell the reader what they ought to know, don&#8217;t tell what they already know.  \\r<\/div>\n<div>&#8211; Exceptions for \\&#8221;I\\&#8221; =  \\&#8221;I argue that . . .\\&#8221; \\r<\/div>\n<div>2. Avoid generalizations and vague language. \\r<\/div>\n<div>Eg.\/ \\&#8221;people\\&#8221;; \\&#8221;this\\&#8221;; \\&#8221;that\\&#8221;; \\&#8221;In this life . . .\\&#8221;; \\&#8221;the best thing\\&#8221;; \\&#8221;the most common part\\&#8221;; \\&#8221;love is important\\&#8221;; \\&#8221;death is bad\\&#8221;; etc . . . \\r<\/div>\n<div>&#8211; Ask yourself: Am I being specific here? Does my reader know specifically \\&#8221;who\\&#8221; I&#8217;m referring to? Am I referring to very broad and generalized themes or topics without clarifying the context in which I&#8217;m using them?  \\r<\/div>\n<div>&#8211; Am I ranting? Am I going on a rabbit trail talking about themes and ideas without connecting them directly to the text I&#8217;m supposed to be referring to?  \\r<\/div>\n<div>3. Avoid assumptive language \\r<\/div>\n<div>&#8211; Is the language you are using \\&#8221;assumptive.\\&#8221; Does it say what a \\&#8221;theme\\&#8221; is rather than explain how the author of the text describes a theme or topic? In a critical analysis you are analyzing a text, not your own opinions. Avoid sharing your own opinions and personal ideologies. Instead, focus on sharing and explaining how the text and its author engage with the topic. You&#8217;re voice will be evident in your analysis of the text, not in your personal reflections of what this or that means.  \\r<\/div>\n<div>eg\/ \\&#8221;Shakespeare reveals an important contrast of eternity versus temporality. This means that heaven and hell is being compared. Life is not long, so it&#8217;s important to enjoy love when you can and to love others. When sin entered the world . . . bla, bla, bla.\\&#8221; \\r<\/div>\n<div>&#8211; Basically, what&#8217;s happened here is the writer has made a grand assumption about the text concerning some obscure notion of heaven and hell and then gone on a theological rant.  The writer has not given any reflection on the text itself and has provided not quotations or references to the text. The writer should avoid phrases like \\&#8221;this means that\\&#8221; and opt for phrases that reference the text more like \\&#8221;this implies that,\\&#8221; or \\&#8221;this reveals that,\\&#8221; or \\&#8221;this points to,\\&#8221; or \\&#8221;this brings into question,\\&#8221; etc&#8230; Then the writer has to explain why! \\r<\/div>\n<div>4. Quote Integrations.  \\r<\/div>\n<div>&#8211; Do not begin a sentence with a quote. Just don&#8217;t.  \\r<\/div>\n<div>&#8211; Introduce the quote using a phrase followed by a comma. \\r<\/div>\n<div>Eg\/ Shakespeare claims, \\&#8221;&#8230;\\&#8221; \\r<\/div>\n<div>&#8211; Unless introducing the quote with a semi-colon, the quote must sound like part of the sentence. Imagine that you took the quotations away. Does it sound like a well-structured sentence? If not, then you need to re-format it. \\r<\/div>\n<div>&#8211; Don&#8217;t fear a semi-colon! Eg\/ Hughes uses the image of a river as a metaphor for the long and winding African heritage in the United States: \\&#8221;I&#8217;ve known rivers;\/ ancient dusky rivers . . .\\&#8221; (####).  \\r<\/div>\n<div>&#8211; Use MLA in-text sourcing. After every quote should be a page number in brackets.  \\r<\/div>\n<div>Eg\/ Shakespeare introduces a comparison: \\&#8221;Shall I compare thee to a summer&#8217;s day\\&#8221; (####). &#8212;&gt; Note how I put the period after the sourced page number.  \\r<\/div>\n<div>5.  Follow Format! \\r<\/div>\n<div>&#8211; MLA format. Look it up. Do your research! \\r<\/div>\n<div>&#8211; 12 pt font, Times New Roman, 1 inch margins all around, double-spaced. \\r<\/div>\n<div>&#8211; Indent paragraphs.  \\r<\/div>\n<div>&#8211; No extra spacing in between paragraphs.  \\r<\/div>\n<div>&#8211; Use a bibliography not a \\&#8221;reference list\\&#8221; or \\&#8221;source list\\&#8221; etc&#8230; \\r<\/div>\n<div>-** Put all punctuation inside quotations! \\r<\/div>\n<div>eg\/ Do not do this: Shakespeare introduce us the topic of marriage: \\&#8221;Let me not to the marriage of true minds\\&#8221;.  &#8212;&gt; The period has to go before the quotation!  \\r<\/div>\n<div>eg\/  Shakespeare introduces the reader \\&#8221;to the marriage of true minds\\&#8221;, which draws together the theme of love and truth.  &#8212;&gt; The comma should be before the quotation! \\r<\/div>\n<div>6. Punctuation \\r<\/div>\n<div>&#8211; Are you using commas, semi-colons, colons, and m-dashes correctly?  \\r<\/div>\n<div>&#8211;&gt; DO YOUR RESEARCH! Look at our writing guide book as well. \\r<\/div>\n<div>7. Proof Read \\r<\/div>\n<div>&#8211; Go to the writing centre. Why not?  \\r<\/div>\n<div>&#8211; Have a colleague or friend read over and edit your work before handing it in.  \\r<\/div>\n<div>&#8211; Give yourself at least 1-2 days after completing the paper to hand it in. That way you can re-read your work with \\&#8221;fresh eyes\\&#8221; and catch mistakes that maybe you wouldn&#8217;t have a day earlier. \\r<\/div>\n<div>&nbsp; \\r<\/div>\n<div>1. Keep the \\&#8221;tone\\&#8221; of your language less personal.  \\r<\/div>\n<div>&#8211; Avoid \\&#8221;I will\\&#8221; statements: eg\/ \\&#8221;In this essay I will explore how Shakespeare engages with the theme of love in \\&#8221;Sonnet 118.\\&#8221; Here, you can simply state: \\&#8221;Shakespeare engages with the theme of love in his \\&#8221;Sonnet 118.\\&#8221; Note that this is not a thesis statement either. This is simply presenting the topic which you will write on.  \\r<\/div>\n<div>&#8211; Avoid other statements like \\&#8221;This essay will show.\\&#8221; We already know that this is an essay.  \\r<\/div>\n<div>&#8211; Avoid saying \\&#8221;we\\&#8221; wherever possible: eg\/ \\&#8221;As we can see in line two . . .\\&#8221;; \\&#8221;We need to understand that . . .\\&#8221; When you say \\&#8221;we\\&#8221; you are immediately including the reader in your assumptions about the poem. Don&#8217;t do it. Tell the reader what they ought to know, don&#8217;t tell what they already know.  \\r<\/div>\n<div>&#8211; Exceptions for \\&#8221;I\\&#8221; =  \\&#8221;I argue that . . .\\&#8221; \\r<\/div>\n<div>2. Avoid generalizations and vague language. \\r<\/div>\n<div>Eg.\/ \\&#8221;people\\&#8221;; \\&#8221;this\\&#8221;; \\&#8221;that\\&#8221;; \\&#8221;In this life . . .\\&#8221;; \\&#8221;the best thing\\&#8221;; \\&#8221;the most common part\\&#8221;; \\&#8221;love is important\\&#8221;; \\&#8221;death is bad\\&#8221;; etc . . . \\r<\/div>\n<div>&#8211; Ask yourself: Am I being specific here? Does my reader know specifically \\&#8221;who\\&#8221; I&#8217;m referring to? Am I referring to very broad and generalized themes or topics without clarifying the context in which I&#8217;m using them?  \\r<\/div>\n<div>&#8211; Am I ranting? Am I going on a rabbit trail talking about themes and ideas without connecting them directly to the text I&#8217;m supposed to be referring to?  \\r<\/div>\n<div>3. Avoid assumptive language \\r<\/div>\n<div>&#8211; Is the language you are using \\&#8221;assumptive.\\&#8221; Does it say what a \\&#8221;theme\\&#8221; is rather than explain how the author of the text describes a theme or topic? In a critical analysis you are analyzing a text, not your own opinions. Avoid sharing your own opinions and personal ideologies. Instead, focus on sharing and explaining how the text and its author engage with the topic. You&#8217;re voice will be evident in your analysis of the text, not in your personal reflections of what this or that means.  \\r<\/div>\n<div>eg\/ \\&#8221;Shakespeare reveals an important contrast of eternity versus temporality. This means that heaven and hell is being compared. Life is not long, so it&#8217;s important to enjoy love when you can and to love others. When sin entered the world . . . bla, bla, bla.\\&#8221; \\r<\/div>\n<div>&#8211; Basically, what&#8217;s happened here is the writer has made a grand assumption about the text concerning some obscure notion of heaven and hell and then gone on a theological rant.  The writer has not given any reflection on the text itself and has provided not quotations or references to the text. The writer should avoid phrases like \\&#8221;this means that\\&#8221; and opt for phrases that reference the text more like \\&#8221;this implies that,\\&#8221; or \\&#8221;this reveals that,\\&#8221; or \\&#8221;this points to,\\&#8221; or \\&#8221;this brings into question,\\&#8221; etc&#8230; Then the writer has to explain why! \\r<\/div>\n<div>4. Quote Integrations.  \\r<\/div>\n<div>&#8211; Do not begin a sentence with a quote. Just don&#8217;t.  \\r<\/div>\n<div>&#8211; Introduce the quote using a phrase followed by a comma. \\r<\/div>\n<div>Eg\/ Shakespeare claims, \\&#8221;&#8230;\\&#8221; \\r<\/div>\n<div>&#8211; Unless introducing the quote with a semi-colon, the quote must sound like part of the sentence. Imagine that you took the quotations away. Does it sound like a well-structured sentence? If not, then you need to re-format it. \\r<\/div>\n<div>&#8211; Don&#8217;t fear a semi-colon! Eg\/ Hughes uses the image of a river as a metaphor for the long and winding African heritage in the United States: \\&#8221;I&#8217;ve known rivers;\/ ancient dusky rivers . . .\\&#8221; (####).  \\r<\/div>\n<div>&#8211; Use MLA in-text sourcing. After every quote should be a page number in brackets.  \\r<\/div>\n<div>Eg\/ Shakespeare introduces a comparison: \\&#8221;Shall I compare thee to a summer&#8217;s day\\&#8221; (####). &#8212;&gt; Note how I put the period after the sourced page number.  \\r<\/div>\n<div>5.  Follow Format! \\r<\/div>\n<div>&#8211; MLA format. Look it up. Do your research! \\r<\/div>\n<div>&#8211; 12 pt font, Times New Roman, 1 inch margins all around, double-spaced. \\r<\/div>\n<div>&#8211; Indent paragraphs.  \\r<\/div>\n<div>&#8211; No extra spacing in between paragraphs.  \\r<\/div>\n<div>&#8211; Use a bibliography not a \\&#8221;reference list\\&#8221; or \\&#8221;source list\\&#8221; etc&#8230; \\r<\/div>\n<div>-** Put all punctuation inside quotations! \\r<\/div>\n<div>eg\/ Do not do this: Shakespeare introduce us the topic of marriage: \\&#8221;Let me not to the marriage of true minds\\&#8221;.  &#8212;&gt; The period has to go before the quotation!  \\r<\/div>\n<div>eg\/  Shakespeare introduces the reader \\&#8221;to the marriage of true minds\\&#8221;, which draws together the theme of love and truth.  &#8212;&gt; The comma should be before the quotation! \\r<\/div>\n<div>6. Punctuation \\r<\/div>\n<div>&#8211; Are you using commas, semi-colons, colons, and m-dashes correctly?  \\r<\/div>\n<div>&#8211;&gt; DO YOUR RESEARCH! Look at our writing guide book as well. \\r<\/div>\n<div>7. Proof Read \\r<\/div>\n<div>&#8211; Go to the writing centre. Why not?  \\r<\/div>\n<div>&#8211; Have a colleague or friend read over and edit your work before handing it in.  \\r<\/div>\n<div>&#8211; Give yourself at least 1-2 days after completing the paper to hand it in. That way you can re-read your work with \\&#8221;fresh eyes\\&#8221; and catch mistakes that maybe you wouldn&#8217;t have a day earlier. \\r<\/div>\n<div>&nbsp;<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<div> \\r<\/div>\n<div>\\r<\/div>\n<div>\\r<\/div>\n<p>&#8220;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220; 1. Keep the \\&#8221;tone\\&#8221; of your language less personal. \\r &#8211; Avoid \\&#8221;I will\\&#8221; statements: eg\/ \\&#8221;In this essay I will explore how Shakespeare engages with the theme of love in \\&#8221;Sonnet 118.\\&#8221; Here, you can simply state: \\&#8221;Shakespeare engages with the theme of love in his \\&#8221;Sonnet 118.\\&#8221; Note that this is not [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"disciplines":[234],"paper_types":[],"tagged":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/questions\/9165"}],"collection":[{"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/questions"}],"about":[{"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/types\/questions"}],"author":[{"embeddable":true,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/comments?post=9165"}],"version-history":[{"count":0,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/questions\/9165\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/media?parent=9165"}],"wp:term":[{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/disciplines?post=9165"},{"taxonomy":"paper_types","embeddable":true,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/paper_types?post=9165"},{"taxonomy":"tagged","embeddable":true,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/tagged?post=9165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}