{"id":20031,"date":"2023-05-16T20:41:09","date_gmt":"2023-05-16T20:41:09","guid":{"rendered":"https:\/\/www.goodacademic.com\/blog\/questions\/analyze-a-films-film-techniques-to-create-meanings-about-vectors-of-difference\/"},"modified":"2023-05-16T20:41:09","modified_gmt":"2023-05-16T20:41:09","slug":"analyze-a-films-film-techniques-to-create-meanings-about-vectors-of-difference","status":"publish","type":"questions","link":"https:\/\/www.goodacademic.com\/blog\/questions\/analyze-a-films-film-techniques-to-create-meanings-about-vectors-of-difference\/","title":{"rendered":"Analyze a film&#8217;s film techniques to create meanings about vectors of difference."},"content":{"rendered":"<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">For this paper, you will select a film, television program, or other moving-image media form from outside of class, in consultation with your TA. The best arguments are<span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/span><span style=\"cursor: auto; color: inherit;\">specific<\/span><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span>and<span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/span><span style=\"cursor: auto; color: inherit;\">focused<\/span><span style=\"cursor: auto; color: inherit;\">. If it serves the argument you\u2019re making, you may choose more than one film\/TV show, but you must get approval from your TA.&nbsp;<\/span><\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">You will watch this media on your own and develop an analysis that draws from the skills you\u2019ve built in class. How does your chosen film deploy film technique to create meanings about vectors of difference (race, gender, sexuality, nationality, class, disability, age, and so on)?&nbsp;<\/span><\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Your essay should include a one- or two- sentence thesis statement that presents a specific, arguable point of view. Be sure to analyze at least TWO of the formal elements we\u2019ve studied this quarter: mise-en-sc\u00e8ne, cinematography, editing, narrative, and sound. Research beyond course material is not required, though your TA may recommend outside sources for some topics.&nbsp;<\/span><\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">An example thesis statement could be something like, \u201c<em style=\"cursor: auto; color: inherit;\">Double Indemnity<span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/em>uses POV shots and differences in lighting to encourage the viewer to identify with Walter Neff, while positioning Phyllis Dietrichson as a femme fatale.\u201d You would begin with an introduction that introduces the film, its historical context (Hollywood and film noir, the post-war crisis in masculinity, the femme fatale), and your thesis statement. Then, you would choose two or three examples from the film that provide evidence for your thesis statement (for instance, an analysis of the film\u2019s introduction of Phyllis, an analysis of the murder scene, and an analysis of its final scene between Neff and Keyes). Your paper would conclude with a synthesis of the points you\u2019ve made.&nbsp;<\/span><\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">A thorough analysis of a film is mindful of the following factors. You do not have to discuss each of them, but you should be aware of these factors as you develop your argument.<\/span><\/p>\n<ul style=\"margin-right: 0px; margin-bottom: 6px; margin-left: 25px; font-size: 16px; cursor: auto; color: inherit;\">\n<li style=\"cursor: auto; color: inherit;\" aria-level=\"1\"><span style=\"cursor: auto; color: inherit;\">Socio-historical background: When and where was the film released? In what ways is the film an artifact of the time and place that made it? How might it follow or deviate from the cultural or political ideas of its time?<\/span><\/li>\n<li style=\"cursor: auto; color: inherit;\" aria-level=\"1\"><span style=\"cursor: auto; color: inherit;\">Intertextuality: What is its relationship to other films or media (books, paintings) (e.g., The Beguiled\u2019s cinematographer referencing Vermeer paintings)? Does the film reference other works (e.g., Quentin Tarantino\u2019s references to Blaxploitation and Hong Kong action films)? Existing genre conventions (Devil in a Blue Dress referencing noir)? What purpose do these connections serve? What are the politics involved in these references (e.g.,<span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/span><a style=\"cursor: auto;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Spike Lee charging Tarantino with cultural appropriation<\/span><\/span><span style=\"cursor: auto; color: inherit;\"><span style=\"margin: -1px; cursor: auto; color: inherit;\">Links to an external site.<\/span><\/span><\/a><span style=\"cursor: auto; color: inherit;\">)?&nbsp;<\/span><\/li>\n<li style=\"cursor: auto; color: inherit;\" aria-level=\"1\"><span style=\"cursor: auto; color: inherit;\">Industrial background: Is this a low-budget film released straight to video? A prestige picture? Was it meant to circulate in film festivals and speak to a cinema-literate audience? Was it intended for the mall multiplexes and youth audiences?&nbsp;<\/span><\/li>\n<li style=\"cursor: auto; color: inherit;\" aria-level=\"1\"><span style=\"cursor: auto; color: inherit;\">Reception: What was its reception at the moment of its release? Has this reception changed over time&#8211;in other words, is the film appreciated differently now than it was initially? Was it ahead of its time? Do certain generations of audiences have a nostalgic attachment to it?&nbsp;<\/span><\/li>\n<li style=\"cursor: auto; color: inherit;\" aria-level=\"1\"><span style=\"cursor: auto; color: inherit;\">Authorship: How does this film fit into the larger bodies of work of its creative personnel?<\/span><\/li>\n<\/ul>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&nbsp;<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">You can consult<span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/span><i style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">The Film Experience<\/span><\/i><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span>chapter, \u201cWriting a Film Essay,\u201d for further guidance.<\/span><\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><br \/><\/span><\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Movies\/shows you CANNOT use:&nbsp;<\/span><\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">-Moonlight (2017)<\/span><\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">-Killer of Sheep (1978)<\/span><\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&#8211; In the Mood for Love<\/span><\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Never Forever<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Insecure<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Double Indemnity<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; What Happened to Her (2016)<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Cycles (1989)<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Normal Appearances (2015)<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Am I Pretty (2018)<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Devil in a Blue Dress<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; In the Air (2009)<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; The Accordion&nbsp;<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Black Breakfast<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Standby&nbsp;<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Sisters and Brothers (2015)&nbsp;<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Borrowed Time<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Stagecoach<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Reel Injun&nbsp;<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Westworld<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; The Rider<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Sorry to Bother You<\/p>\n<p style=\"margin: 12px 0px; font-size: 16px; cursor: auto; color: inherit;\">&#8211; Illusions<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For this paper, you will select a film, television program, or other moving-image media form from outside of class, in consultation with your TA. The best arguments are&nbsp;specific&nbsp;and&nbsp;focused. If it serves the argument you\u2019re making, you may choose more than one film\/TV show, but you must get approval from your TA.&nbsp; You will watch this [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"disciplines":[706],"paper_types":[],"tagged":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/questions\/20031"}],"collection":[{"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/questions"}],"about":[{"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/types\/questions"}],"author":[{"embeddable":true,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/comments?post=20031"}],"version-history":[{"count":0,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/questions\/20031\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/media?parent=20031"}],"wp:term":[{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/disciplines?post=20031"},{"taxonomy":"paper_types","embeddable":true,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/paper_types?post=20031"},{"taxonomy":"tagged","embeddable":true,"href":"https:\/\/www.goodacademic.com\/blog\/wp-json\/wp\/v2\/tagged?post=20031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}